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When Richard Gere spots the samba-ing Jennifer Lopez in the recently released
film Shall We Dance, he can’t help but stare at her beautiful,
beige-clad belly.
So much for the idea that beige equals bland, blah or
boring. In yacht décor,
the new beige is in fact a purposeful palette
of neutral, natural hues from sand
to seal, jazzed up by the use of
imaginative textures that add depth and
richness.
Designers Redman, Whiteley, Dixon let Utopia's
size make the statement for this
Feadship, concentrating instead on
providing a relaxing environment. At 212
feet, Utopia is the largest
Feadship ever delivered. The neutrality of this
salon complements her
contemporary profile. (Click image to enlarge)
Adventurous use of color in yacht interiors has its place and
deserves praise. But adventure isn’t the only interior décor story.
Beiges and
other neutral hues reflect and complement the lightness and
brightness of the
surrounding seas. These subtle tones lend ethereal
presence even to the heaviest
vessel.
When exploring the new
neutrals, consider Lori Weitzner’s stunning
new collection for Bergamo
Fabrics: silks shot with veins of gold, rippling with
shimmering tidal
marks, reflecting a Caribbean moon. Sensual, complex and
magical, her
silks whisper an invitation to be touched (see sidebar).
Creams
and beiges are even more compelling when accent colors and lighting
play
supporting roles. Philadelphia-based designer John Kelly recently
outfitted a
private vessel in black-accented neutrals that give
definition and line to
interior space. “There’s so much you can do with
accents,” he says. “In addition
to cordings, nailheads and fringes, you
can affect textures with up-lights,
down-lights and accent lights.Outside Los Angeles, craftsmen in
the quietly
purring J. Robert Scott factory outnumber machines. Sally
Sirkin Lewis, who runs
this show, is one of today’s leading designers
and home furnishings
entrepreneurs. Her company has recently teamed
with Benetti to create interior
concepts for a line of semi-custom
yachts (see sidebar).
The palette for
yacht interiors that Lewis
proposes is quite a departure from the typical formal
or “gentleman’s
club” look. Rather than dark veneers, regal blues and regimental
green
and gold, Lewis offers light colors with an air of contemporary sleekness
reminiscent of the beach houses she designs in Southern
California.
“Neutrals
are elegant,” says Lewis. “They provide a
room with a feeling of spaciousness.
I’m drawn to the serenity they
create. They don’t compete with the people or
artwork in the room,
allowing them to take center stage. A yacht’s natural
environment
consists of infinite blue and turquoise seas, magenta sunsets, deep
green mountains and rocky gray shores. “Why,” she asks rhetorically,
“would
anyone want a busy interior competing against that
beauty.” (Click image to enlarge) Upholstering in
neutrals exposes the geometry of
a given furniture piece and emphasizes its
craftsmanship and quality,
according to Lewis. “I often use ebony or a single
accent color to
spice up a neutral interior. The accent – perhaps a vase of red
tulips
– provides an interjection,” she says. For the Benetti project, Lewis is
relying on black granite and ebonized woods to contrast the neutrals.
But she is
also known to add a touch of yellow or a punch of
periwinkle. Asked to identify
this year’s hot neutral, Lewis says at
the moment, brown is very fashion
forward.When we last saw U.K.-based designer
Donald Starkey, he was wearing
a yellow shirt. Nevertheless, Starkey is
all for beige. Is it boring? “No,” he
insists. “If we mixed up all the
colors of the spectrum, we’d get a neutral.”
His latest neutral-scheme
yachts include the teak-paneled Feadship Dream, the
blue-hulled Sarah
from Amels and Abeking & Rasmussen’s Excellence III. But
Starkey
warns against going overboard with beiges. “Rather than the basis of a
design,” he says, “beige is a help along the way. Clients may have
favorite
colors you can’t use as the basis for the color scheme, but
with a neutral
background, they work as accents.
Every trend has
its countertrend. Some
people tend to lose their bearings when
navigating an interior of monochromatic
textures and patterns. Fort
Lauderdale-based designer Claudette Bonville thinks
that most designers
who use beige do so because “it’s safe.” Bonville says, “If
you are
building on spec, you figure that more people like vanilla than
raspberry sherbet. So you give them vanilla.” Bonville’s favorite
anti-beige
combo is aubergine paired with lime green.
But for
those who believe their
interior décor should be the backdrop to life
at sea rather than a dramatic
performance all its own, neutrals
certainly set the stage.
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