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| Exotic Lady Jonathan Webster 04/01/2005 |
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With a continually expanding fleet of custom superyachts
dotting the globe, it has become a bit cliché to say that each is a unique
creation. It’s true, of course, but even so, there are still certain
similarities in design, a sameness that stems from functionality. And so, most
yachts are born. But most yachts Asean Lady is not.
"The idea of using an outrigger comes from our many yachting experiences around Indonesia over the past few decades," explains Chang on board the roomy 88-meter yacht. "I noticed that the local proas worked very well, even in relatively heavy swells. "We’d be at anchor on our old boat [a traditional 154-foot monohull] in a secluded cove and the locals would approach us in small dugouts with bamboo outriggers, selling live seafood and fresh produce. While we’d be rocking significantly, the men on board the dugouts would be standing, going about their trade with total ease. Their platforms were remarkably stable – and I was envious." As time went on, Chang’s thoughts returned more and more
often to those stable canoes. Still, years passed before a set of sketches and
plans for an outrigger yacht were created and detailed with the team from
Ian Mitchell Design in New Zealand. (Click image to enlarge)Chang, who owns Yantai Raffles Shipyard in Shandong, China, says his yard provided him a deep insight into design and construction possibilities. "Further," he adds, "I had the luxury of a sophisticated yard in a relatively secluded environment – according to the world of super-yachts, at least – so I could afford the time and privacy to create whatever I wanted." But there were still doubters and detractors. "Trust me, it was debated then and it will continue to be debated forever. But I was convinced, so in 1999, I decided to go ahead. We were going to build the first outrigger superyacht and turn convention on its head," says Chang.In 2003, Asean Lady emerged, as unconventional as promised. She has since plied the waters in Southeast Asia, and gathering her fair share of comments along the way. "When she was still in the yard, I had one visitor who spent two hours viewing the project," says Chang. "That evening at dinner he asked me, very seriously, ‘Are you building two yachts or one?’ Recently, another person remarked in a deadpan manner, ‘She’ll never sail straight; she’ll only go around and around.’"
But Asean Lady does indeed sail straight. The asymmetrical outrigger configuration is less prone to fatigue than a traditional catamaran design because the cat’s identical hulls sometimes work against each other in certain sea conditions. The outrigger, by its inferior size and position, always follows the main hull, thereby lending support and balance to the vessel without countering the main hull’s tracking. Additionally, the out-rigger’s support allows the main hull to be very streamlined, similar to that of a sailboat. The architecture provides an amazingly economical cruising speed and range for an 88-meter. "Just recently we were cruising at over fourteen knots on a single two thousand-horsepower diesel," Chang says. Asean Lady’s control and steerage system is atypical as well. The single engine links directly to a Rolls-Royce Aquamaster azimuth drive with twin rotating propellers, eliminating the need for a long shaft and its accompanying risk of vibration. The yacht’s engine room, therefore, is remarkably small for her size and rests astern, well away from the guest rooms and even the crew quarters.
She also is equipped with a Rolls-Royce Aquamaster retractable azimuth bow thruster that doubles as the backup propulsion system for the main power plant. Producing 600 horsepower, the bow thruster alone can power the yacht at seven knots for thousands of miles. A single joystick supplants the traditional throttles and wheel, allowing for true point-and-go maneuverability utilizing bow and aft thrusters. "The first time the engine started and she spun around in the tight space between the dock and the wharf in our shipyard was the moment I became fully aware of what an amazing and truly unique yacht we’d created," summed up Chang. "However, it also presented a strange sensation, and one that my captain has had to get accustomed to, and that is not being able to feel whether the engine is on or not. There are literally no vibrations to let you know she is engaged. All you have to go on are the instruments." While it’s easy to become a quick convert once you’ve been aboard, particularly under power, it’s also easy to understand why the conventional yachting community paid little heed to the outrigger yacht concept. "I had several professional naval architects that failed to put the design together and one of them even had the cheek to enter my design in a competition titled ‘Ships That Will Never Be Built,’" Chang says.To date, Asean Lady has performed flawlessly, riding out the recent tsunamis in Southeast Asia. Anchored in Phuket’s Patong Bay, she was largely unaffected, due in part, says Chang, to her well-balanced center of gravity and the quick reaction of her captain and crew. (See Tsunami Survivor.) "A good friend of mine was recently with us in Thailand – earlier in December – and he remarked that he felt like he was on land and not really on a boat. I’m not convinced that is necessarily a good thing, but it definitely provides serious testimony for how stable she is," says Chang. That stability allows passengers to make good use of the vessel’s 20,000 square feet of interior space, an area that has been meticulously designed and overseen by Annie Chang, Brian’s wife. The generosity of the living quarters is due in part to the extra space provided by the bridge linking the main hull and outrigger. For example, the master suite comprises a cavernous 1,600 square feet, larger than many penthouse apartments. And, unlike many yachts, Asean Lady is bright with natural sunlight throughout because of the openness, perspective and sheer number of windows – many at angles not commonly seen on large yachts. "We’ve already had a party with more than one hundred and eighty guests and it wasn’t remotely crowded," says Chang. But Asean Lady is by no means a floating hotel. She accommodates a maximum of 20 guests in eight beautifully decorated suites. The rich interior is detailed in a traditional Chinese style using predominantly local stone and woods carved by area craftsmen. The decks are fitted out with thousands of yards of teak from the forests of Papua New Guinea. Chang has fielded several serious inquiries for similar builds, at least two of which he expects to come to fruition over the next 18 months. But, he says, "I’m realistic, I do not see a trend coming, at least not yet. Time will slowly make owners more comfortable with our concept, but there will be no spectacular growth. "I do see yachting projects growing to where they will acquire more technology with a greater emphasis on reliability and less on look and feel. As time passes over the next ten and twenty years, you will see the influence this yacht will have on the design and build principles of future yachts, much as the proas of the Pacific have so fundamentally inspired our yacht, our Asean Lady." |
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Yacht Specs
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