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Features
If seven is indeed a lucky number, then Nobiskrug’s Hull No. 777 has good fortune to share.


Lady Luck

Article Specs  
Nobiskrug GmbH 219
Initially, Newcruise was responsible for only the styling. That was before the owners met interior designer Katharina Raczek, who had recently joined Newcruise. "The wife had intended to be very involved with the interior design. She met Katharina, and they were amazingly and immediately on the same wavelength," said Hilpern. Its contract expanded, Newcruise could now work out interior and exterior details with seamless efficiency. Still, the owners themselves contributed hundreds of hours to the design effort and amassed a collection of 3,000 material samples in the process.


The primary outdoor dining area is abaft the bridge-deck’s salon-cum-cinema. Photography by Klaus Jordan. (Click images to enlarge)

The pieces of the project fell into place as smoothly as the tumblers of a combination lock. One day the owner noticed the yard’s project number for his unnamed boat was 777. In most cultures, including the one into which he was born and the ones in which he has lived, seven is considered an extremely fortunate number foretelling great success and satisfaction. Would three sevens in the project number bring three times the luck? Rather than argue with fate, he announced the boat would henceforth be called Triple Seven.

Naming the yacht had an unexpected codifying effect on the contemporary design themes for the interior—design details from windows to crown moldings to stainless steel details began to take shape, literally, around the number. Undoubtedly, the most striking manifestations are the seven windows forward on the main deck. These slabs of curved and tinted bulletproof glass arch up the raised hull sides from just above main-deck level, where the superstructure broadens to full beam, and notch into what appears to be the joint with the bridge deck above. Looking ever so much like giant sevens, these portlights bring abundant light into the owner’s suite. This suite’s innovations extend to the traffic pattern—the owner’s office/library is a separate room rather than an enlarged hallway. A bleached wengé desk slides partially into the wall when not needed, becoming a small table. Given its own adjacent bathroom, this suite could function as a separate cabin and, in fact, has a hidden foldout bed. Curved walls in the stateroom—where the portlights are so large they double as window seats—give personality to the large space and create a hidden security closet. Bleached sycamore wall panels separated by eighth-inch gaps seem to float off the substrate and add lightness to the room. Some of the panels are treated to a metalized lacquer finish for contrast and to harmonize with the brushed nickel hardware. Behind the curved wall at the head of the bed are his-and-hers dressing areas linked by an enormous bath that seems carved out of a single block of pale, Portuguese marble.


A hatch opening below Triple Seven’s logo reveals the yacht’s beach club. Photography by Klaus Jordan. (Click images to enlarge)

The yacht’s center of circulation is a floating spiral staircase of natural sycamore and anigre. Diffused light spilling from behind the stair column washes across etched nickel panels. On closer inspection, the "etching" is the number seven repeated thousands of times. "The craftsman doing the metalwork for the boat came up with it," said Krueger, who became a fixture at the yard during the build. "He showed me a sample and I said, ‘Let’s go for it.’ Even though he had to make all those sevens by hand, he wanted to do it. That kind of enthusiasm brought something special to the project."

The yacht’s substantial 39-foot beam also brought something special, and when it came to the interior, the Newcruise team exploited it, giving new meaning to the term "open plan." The salon stretches from the foyer to the aft deck with no intervening columns, just two waists nipping into the space midway at the plenums and again at the aft end. A circular bar located between glass doors to the aft deck occupies most of the aft end of the main deck’s superstructure. A glass wall at the back of the bar drops into the structure, allowing service to the aft deck as well as the salon. With the glass lowered and the doors open, the design creates a flowing, indoor-outdoor living space more than one-third the overall length of the vessel. To keep such a vast space from resembling a bowling lane, Newcruise subtly divided the space into six usage areas, from an open sun-pad area most aft to the substantial covered aft deck and outdoor cinema, the circular bar, a formal seating area and, finally, to Triple Seven’s signature spaces, a circular dining area to port and the equally circular casual lounge to starboard, each fronting floor-to-ceiling windows overlooking the side decks. Bulwarks are notched out at this point to provide clear views.


Triple Seven's beach club, a complete lounge on the waterline. Photograph by Klaus Jordan. (Click image to enlarge)

Not to put too fine a point on the owner’s joy in outdoor living, Triple Seven is a tri-deck yacht; the sun deck bears no enclosures save a dayhead and room for the emergency generator. Between the two substantial air trunks, however, a retractable awning creates a shaded gazebo with tables for dining. Taking pride of place forward is a large, round sun pad recessed into the top of the coachroof. Snatch the cushions off the sun pad and you have what Golding calls the "helipuck," a circular helicopter landing pad with a certified 18-ton crash load. Next aft are more sun pads and an enormous Jacuzzi that holds 3.6 tons of water when filled.


Triple Seven’s bridge. Photograph by Klaus Jordan. (Click image to enlarge)

Exemplifying the latest trend in large yachts, Triple Seven has a beach club astern of her engine room and tender garages, just a few steps from the sea. This teak-clad casual space incorporates a lounging area with a bar, exercise equipment and a separate bathroom, in essence replacing a gymnasium that might have occupied a fourth deck had not the owner demanded a more "elegant" profile.

So, are three sevens an indicator of good luck? It would seem triply so. Newcruise now reports three projects over 110 feet on its order book, and Nobiskrug, part of ThyssenKrupp Marine Systems since 2005, is building three new yachts. Hull No. 778 unites the same lucky team to elaborate the themes created for 777 in a 240-footer for the same fortunate owners. Meanwhile, the modern, new 145-meter construction hall triggered by the Triple Seven contract has gained a reputation as one of the most sophisticated facilities of its kind in Europe.