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Features
Experienced yachtswoman Denise Rich enlists Christensen for a 157-footer that mirrors her life philosophy.


Ode to Joy

Article Specs  
Christensen 157
For the past decade, Christensen Yachts has developed its 157-foot (47.85-meter) motor yacht series into a highly respected brand with an increasingly sophisticated clientele, customers whose experience in the yachting world draws them to the company’s beautifully finished, value-oriented products. The attractive pricing of Christensen boats is the result of the streamlining that is inherent in the semi-custom construction process the company adopted several years before moving toward manufacturing its boats on speculation. While costly and somewhat risky, building yachts on spec has a number of benefits, and if the design of the product is attractive to potential customers, as the Christensen yachts have proven to be, the program will allow a builder to plan its workflow and cashflow better than any custom builder might.


Photograph by Scott Pearson. (Click image to enlarge)


But as any yacht builder will attest, yacht buyers are not a group that tends to possess a cookie-cutter mentality. Just as the attraction of a streamlined process with its attendant lower delivery times and costs catches their collective eye, the idea that their boat might not be tailored to their personal requirements creates another set of challenges for the builder’s sales team.

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Despite a reluctance to return to its custom building roots, Christensen has, in recent years, developed a measured response to requests from its customers for more individualized boats. What has evolved is the Custom Series, a line that allows customers a certain freedom of design within the parameters of the boat’s predetermined limits, which are set by the placement of the structural bulkheads and some of the main joiner bulkheads. It is this latitude that attracted Denise Rich, the owner of the company’s latest delivery, Lady Joy.


Lady Joy’s interior execution is textbook Christensen: beautifully built and flawlessly finished. The décor is residential in style. The neutral tones of the carpet and other soft goods allow the owner’s art to take center stage. (Click images to enlarge)

Carol Williamson, whose design firm was responsible for the boat’s interior, noted that Lady Joy is unique compared to Christensen’s recent launches. "I think that in the initial meetings with Denise, the whole approach was that she wanted it elegant, feminine, but very inviting…and very warm, and gracious…and, from the beginning, she talked about her private art collection, and that it would be a central part of the design.

"One of the things that we were really excited about, as a team, was that it made the boat very, very personal. And that there was an extensive collection of art that she was bringing onto the boat."

There were several requirements that Rich brought to the table. Two of them, explained Williamson, were for additional storage and for the capability of handling large numbers of people.

"It was very important to Denise that the exterior space for entertaining was maximized, especially on the boat and aft decks for large dinner parties. And so, on the boat deck…we can seat 50, using the main table and four others that set up around the perimeter of the deck.


Top:
Elegant, yet understated, the salon has a cozy feel. Bottom: The custom dining table blends seamlessly with the joinery, done in-house. (Click images to enlarge)


"And we built in storage wherever we could. For example, all of the leather and wood ottomans that went under the custom coffee tables, all of those are lidded for additional storage. This was very important. After all, the boat carries six complete sets of china and crystal for 50 people."

The need for stowage drove other modifications as well. In the owner’s suite, the arrangement remains fundamentally the same as all of the boat’s sisterships, but custom joinery—a modified desk in the study, a full-height armoire and an additional desk in the stateroom, and increased clothes storage—was added that makes the spaces more functional.