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Features
On board and at sea, Adèle—the stunning new 180-foot ketch built at Vitters in Holland—is a beautiful balance of practicality and elegance.


Symmetry in Motion

Article Specs Design
Vitters 180
Adèle is a home away from home for Österlund, who spends extended periods aboard with family and friends, so comfort and privacy were major considerations in the interior layout. The living areas are articulated around three classic deckhouses, allowing owner and guests to withdraw but still be part of the action. The forward deckhouse is an area where guests can relax and chat or connect a laptop. The central wheelhouse contains the nav station and chart desk and is the focal point of the yacht’s social activities. The aft deckhouse and cockpit are for the owner’s exclusive use, a solution that provides complete privacy, since the 180-foot yacht is rarely moored stern to.


Adèle’s towering rig. (Click image to enlarge)


Belowdecks, Adèle’s layout is a masterpiece of symmetrical design, thanks in large part to Frans Moerbeck, who worked on the interior and exterior styling as part of the Hoek design team. "Symmetry provides balance and harmony," he explains. "This, in turn, evokes a sense of calm, so the owner feels comfortable." Her curved, central stairways are key elements defining this symmetry. One leads from the aft deckhouse to the owner’s cabin, the other from the central deckhouse to the main salon. Ovals and circles, curved and flowing lines further enhance the feeling of harmony—even the cabin doors are elliptical!

The ceiling in the owner’s cabin, for instance, is circular and concave, with radiating beams that are slightly twisted along their axis. This effect was achieved using CNC precision-cutting machines. Given the large volume of it aboard Adèle, her detail work—beams, fiddles, raised-and-fielded paneling and such—while subtle, is slightly more pronounced so as not to appear fussy. The generous headroom—more than 6 feet 5 inches in the living areas—allowed the use of non-structural, decorative pillars inspired by architectural columns in the sixteenth-century premises of Hoek Design in Edam, Holland. Even in the owner’s cabin, which has the lowest ceiling, Hoek, who stands at 6 feet 2 inches, has headroom to spare.

Österlund also wanted the boat to be warm and welcoming. "I love cozy corners and seating areas," he admits, "and there are lots of them aboard Adèle, both inside and out." Indeed, the owner’s cabin has its own comfy lounge. There is an intimate seating area complete with cocktail cabinet and cigar humidor in his private deckhouse. Both double guest rooms have day divans, and the main cockpit has four corner sofas and two outboard sofas. The snug, book-lined library is another of Österlund’s favorite rooms. It contains two 23-inch computer screens that he uses for photo and video editing, or for retrieving data from the main navigation computer. When combined with the mahogany finish, muted soft furnishings and subtle lighting by Polly Sturgess, the overall effect is one of warmth rather than wealth. (Click image to enlarge)

Watching Österlund at the helm of Adèle during the Superyacht Cup, he is clearly overjoyed with his dream boat. Named after his mother, he describes the yacht as "bursting with energy to live each day to the fullest," adding that, "She is sharing her adventures with all who come into contact with her….She changes the perspective of life forever, for all of us who step on board."